Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for your unrest? Katniss. And what's worse, President Snow has made it clear that no-one else is safe either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one of the most brought up books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended like a trilogy. Did it actually end the best way you planned it from your beginning?

A: Very much so. While I did not know every detail, of course, the arc of the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant through the writing process.

Q: We understand you worked around the initial screenplay for a film to get depending on The Hunger Games. What may be the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you discover yourself adapting a novel in a two-hour movie you can't take everything with you. The story has to get condensed to match the newest form. Then there's the question of how best to take a magazine told within the first person and provides tense and transform it in to a satisfying dramatic experience. In the novel, you won't ever leave Katniss for the second and therefore are privy to all of her thoughts so you'll need a way to dramatize her inner world and to make it easy for other characters to exist outside of her company. Finally, you have the challenge of how to present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A great deal of situations are acceptable on a page that may not be on the screen. But wait, how certain moments are depicted will ultimately be inside the director's hands.

Q: Have you been able to consider future projects while working on The Hunger Games, or are you immersed within the world you happen to be currently creating so fully who's is too hard to think about new ideas?

A: We have a number of seeds of ideas floating around inside my head but--given very much of my focus remains on The Hunger Games--it is going to be awhile before one fully emerges and that i can start to develop it.

Q: The Hunger Games is a yearly televised event where one boy and one girl from each in the twelve districts is made to participate inside a fight-to-the-death on live TV. What do you believe the benefit of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an interest in seeing who wins. The contestants are usually unknown, which means they are relatable. Sometimes they've very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I find very disturbing. There's also the opportunity for desensitizing the audience, to ensure once they see real tragedy playing out on, say, the news, it won't possess the impact it should.

Q: If you were made to compete inside Hunger Games, what do you believe your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I utilized to be trained in sword-fighting, I guess my best hope could be to acquire hold of an rapier if there was clearly one available. But the reality is I'd probably get with regards to a four in Training.

Q: What does one hope readers should come away with when they read The Hunger Games trilogy?

A: Questions about how elements from the books could possibly be relevant inside their own lives. And, if they're disturbing, whatever they might do about them.

Q: What were some of your favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a single more Hunger Game, but now it can be for world control. While it is often a clever twist for the original plot, it means that there is less focus around the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in a less vibrant Katniss by showing her despair both at those she feels responsible for killing and at her motives and choices. This is an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels and also the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are very well evidenced in the voice, which goes from rage to puzzlement for an unsure go back to sweetness. McCormick also makes all the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each of the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.